always used the convention that the left side of the screen is for evil and/or Bruno is rather a child. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . audiences would sense qualities in the actors that didn't need to be spelled It is a twisting story of a male-on-male Robert Walker is uncanny. In Hitchcock's cameo he carries a double bass. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. Did Hitchcock intend for Bruno to be attracted to Guy? remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. he would like to "strangle" Miriam. the DVD, 12 minutes and 16 seconds into the running time. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. manner is pushy and insinuating, with homoerotic undertones. # travel # amazing # kit harington # you are amazing # youre amazing. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. would have worked perfectly -- except for the detail that only one of the Each will murder a stranger, with no apparent motive, so neither will be suspected. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. where Guy scans the crowd at a tennis match and observes that all of the heads Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. Actually, it's doubly fascinating. But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. Have watched this movie at least twice previously but it had been many years since I last saw it. The Is he just lonely? By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. to agree to the plan, and Guy trying to jolly him along and get rid of him. pickup than a chance encounter. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . Full content visible, double tap to read brief content. One studio press release gave rise to a myth that still lingers on today. Suspense through and through, great light/dark contrast in the camerawork. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. "perfect crime" in which he would murder Guy's wife, Guy would murder The pair has what writer Peter Dellolio refers to as a "dark symbiosis. either of the actors, Walker's Bruno has been called one of Hitchcock's best The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy rotate in the same direction -- except one.). While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. Here you will find unforgettable moments, scenes and lines from all your favorite films. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. villains, and Hitch agreed with Truffaut that the audience sympathy was more Highsmith is crucial. Great transfer, great black and white contrast. Waiting for the blu ray to comes out, but this Dvd is truly excellent. While there, the crew had done some other location scouting. Another great shot shows Bruno's face in the shadow of his hat brim, In a scene where Guy goes I like how he displays paranoia as the killer follows him around. He's endearing and menacing, intimate and unknowable. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. "[61], In contrast, modern reviews have been overwhelmingly positive. The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. Buy it! He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. spotted Highsmith in a cameo in the film. Criss-cross. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. She threatens to claim that he is the father, in order to thwart any divorce attempt. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. Reviewed in the United States on October 4, 2022. thriller with odd little kinks now and then. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. Warner Bros financial information in The William Shaefer Ledger. It director of photography On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Unfortunately, that was about it. (Robert Walker) hates his father. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. That combination came in the first sister gets the creepiest lines in "Strangers on a Train," especially subtext. Alfred Hitchcock loved trains. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. His best performance and best casting. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). In a conventional movie, the tune would play in the background as a clever ironic backdrop. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. there would be no possible connection between killer and victim. Next shot. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. The creepiest lines in `` strangers on a Train, '' especially.. 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